Writer and Author

Tag: Sci Fi

Thoughts on Being a Country for a Week…

Backyard Battles by Michael Stamp metaphor for @ireland

Photograph by Michael Stamp. All rights reserved.

Over one week at the end of May I got the opportunity to discover what it’s like to be a country, nominally at least. The @ireland Twitter account was set up by WorldIrish.com in March last year. It’s modelled on the @sweden account which has a different Swedish person curating the account each week, sharing their lives and their views to give a kaleidoscopic view of the people and ideas that go to make up a country.  There are quite a few of these accounts now. Towns and cities all over the world have cottoned onto the fact that this format plays very well with public and commentators alike. It’s a low cost way to get the word out there about how cosmopolitan a place you are, how gorgeous the scenery is and how achingly cool your people are and lets face it, stuff like this is what Twitter was made for.

When my turn came up, to be honest, the gloss had gone off Twitter a little. I joined around the same time I set up this blog, and set up my Facebook page, back when my first book needed selling. I stayed when I stopped seeing it as a pressurised shop floor and simply as very, very large room full of people talking, rather like a massive party with no beginning and no end. After a while I realised that scattered through the crowds were the kind of people you end up having very interesting conversations with in the kitchen at a party like that. Like the song says, you really will always find me in the kitchen at parties. Lately though I’ve started looking around for my coat. I’ve already swapped phone numbers with the people I was talking to in the kitchen and a bus load of noisy new people have arrived just as the beer’s running low. Or something. Party analogies aside, it’s been a long time since I’ve been my normal, chatty, opinionated self on Twitter. Until I got to be a country.

I started bright and early on the Monday morning. I think the first thing I talked about was actually the weather. Within minutes I realised the difference between tweeting to a couple of thousand followers and tweeting to over 15 thousand.

There’s a lot more people.

I use Twitter mainly through my phone and it wasn’t long before the bloody thing was chirruping and vibrating as if it was trying to hatch. Conversations rattled by at breakneck speed and I soon realised that with this audience you couldn’t get away with casual throw away comments. People actually wanted to know what you had to say, then often contradict it. On my second morning I glibly mentioned that it was a grey day in Dublin and within seconds had half a dozen replies telling me they were looking at the sun right now.

I’ve been doing this author thing for almost five years now. I’ve done live appearances – those wonderful events when you look out into the audience and realise you’ve got the phone numbers of half the people there in your phone contacts and the other half have come to see the other people on the panel.  Having that many people actually looking straight at you and waiting to see what you do next (even if they are online) is a bit of a culture shock!

I knew when I started my week that I didn’t want to pull my punches. I’ve grown more political as I’ve got older and less inclined to keep my opinions to myself. I’m frustrated on a daily basis by the conservatism in this little country and I didn’t want to shy away from that if it came up. To be fair I didn’t always wait to see if it came up. Equality matters to me and there’s far too much stuff in the news at the moment not to come back to the subject again and again.

So we ended up talking about religion, or rather my lack of it, feminism (no surprise there), racism, abortion and spirituality. The two subjects that kept coming back were the way society views women and the way Irish society can sometimes be a little less than the land of a thousand welcomes if you’re different. With both these subjects the thing that really hit home was the number of responses I got from people telling me it wasn’t a problem. I’m a reasonable woman. I’d much rather spend my time talking about books or old films and TV. It these things weren’t a problem, believe me, I wouldn’t keep banging on about them. As a woman in today’s society I think there’s still a long way to go before we gain a real, lasting form of equality. Too many women are treated purely as sexual objects or worse, lesser human beings, across the world not to be worried and angry about the fact that this persists even though, as a species we should surely have copped on by now.

It’s the same with the racism issue. When I started tweeting about the subject under the @ireland account it was in response to the racial attack on journalist Una Kavanagh. Una works of WorldIrish.com and manages the @ireland account so naturally I shared her initial tweets and commented. While the bulk of the response was the generous, warm, outraged response I’d expect from the Ireland I know and love there were a significant number of people who took exception with me tweeting about the incident from the account, since “Ireland doesn’t have a problem with racism”. This is a myth I’ve heard many times over the years and yet when I spoke to my non Irish friends during the week, everyone had their own story. A problem doesn’t have to be all engulfing to be a problem. It just has to be persistent and widespread, and like it or not racism is a form of bigotry that’s persistent and widespread in this country. When someone’s attacking you because of the colour of your skin or your accent you don’t stop to reassure yourself that this person is the exception. You might think that later but not immediately. Coming out of this conversation I found myself sharing my own experiences of xenophobia in Ireland for the first time online. A fair few people responded with similar stories, enough that it really brought home to me how important it is that this issue is talked about as often as possible. It needs to be stamped out, not ignored.

As important as it might have been to talk about racism the conversation I think I enjoyed most was on the Sunday, my last day. I’d been watching a documentary about Emily Wilding Davison to mark the centenary of her death after falling under the King’s horse at the Epsom Derby. I asked where were the monuments to the many extraordinary Irish women who’ve inspired over the years? Where were the heroine’s for young Irish feminists. Throwing that out there started a stream of suggestions. The conversation rumbled on for much of the day, throwing up many very inspiration names and stories. What did become clear though was that, in terms of public memorials, either statues or plaques, women are vastly under represented here. By the end of the day it was difficult not to see Constance Markievicz as almost an example of tokenism, being celebrated almost to the exclusion of all others. It was notable how hard everyone was racking their brains and how few names it was throwing up. It was a fact remarked upon by several Tweeters that the majority of women who appear in statues around Ireland are fictitious or mythological. This is something else that I’ve taken away. We need to do something to change that status quo, these things send powerful messages.

Of course it wasn’t all contentious. I talked to a lot of people about Sci-Fi – and even tweeted about my beloved dystopias, although I didn’t get to be a geeky as I’d like. I also had a great chat about nail polish, which involved my first ever picture of a manicure. I’ll be doing “selfies” next! I also got to be severely nerdy about the Four Courts and criminal Dublin. Right down my alley.

What I can take away from the week is a renewed appreciation of Twitter. I hadn’t realised how unique one of these country accounts is. At the risk of coming over all philosophical, they put you in an unusual position. You deal with the expectations of the world about a country that’s an expert at mythologizing itself. You deal with the nostalgia and protective homesickness of the Diaspora who are watching for a taste from home. You deal with the manic salesmanship of some of the country and the sharp-tongued cynicism  of the rest. It’s an intense experience. A previous @ireland tweeter described it to me as like being plugged into the Matrix. I know exactly what he means. It can feel quite profound, if it’s late enough and you’re tired enough and it’s been a very long day. It’s addictive and it’s illuminating. Talking about racism, which eventually developed into a conversation about national identity, I thought about my own national identity. I’ve known for a long time that that while I can’t ignore my Englishness, I’ll always be a Londoner, I’m as Irish as they come now too. I can’t remember the point where I stopped feeling like a visitor. My nationality was remarked on to such an extent it was constantly underling the fact I didn’t belong. But at some point I accepted my place here. I don’t know if I’ll stay for ever, I don’t know if I’ll ever stop giving out about all the things that make me hop up onto my soap box, but I know that Ireland is in my heart and I’ve now got two homes rather than none, as I might have thought a long time ago.

Quite a few people asked me was I mad, when I told them I was going to curate the @ireland account. They worried it would be too intrusive, that I’d be too exposed and yes, I see that. You learn very quickly with an account like that you can’t steer every conversation and they will take you where they will – which can be a little disquieting at times.  But here on the other side, it was an extraordinary experience and one that I count myself lucky to have had. It’s renewed my affection for Twitter and once again confirmed a lot of the things I love about this country. I’ve met a lot of very interesting people, many of whom have stuck around to continue those kitchen party chats. If I needed reminding that this social interaction 2.0 works better with total immersion I’ve got it now. You’ll be hearing a lot more from me. I’m glad to be back in my own little universe but I enjoyed the holiday and I’ve come back refreshed. If you’re curious to see exactly what happened you can see the tweets on my profile page on WorldIrish.com here.

Fighting the Federation in Killer Heels

Blakes 7

Growing up as a space-obsessed kids in the 70s and 80s I was used to the fact that, as a girl, I probably wouldn’t get to drive the TARDIS but if I happened to wander into the Federation, not only could I kick some serious fascist overlord ass but I could actually be that fascist overlord, if I so wished – and could put up with the feathers.

Recently I’ve been tweeting my way through the various box sets of the BBC’s seminal 1980s sci fi series Blakes 7. I’m currently halfway through the third series (where things start to get really silly) and most evenings I amuse myself sniping away at the frequently ridiculous costumes and somewhat hammy acting from certain members of the cast but fun as that might may be it’s got me thinking. I’ve been a fan of Blakes 7 since it first aired. I have a higher tolerance for the ludicrous plot twists of the third and fourth series because they were where I came in. When I was a little girl I thought Dana’s combination of cat suits with stilettos was seriously cool and I had a bit of a thing for Tarrant (both characters joined the show for the third series after the show lost two of it’s key characters including the eponymous Blake.) But with each adult viewing (we’ve the whole lot on DVD and it does tend to get yearly showings) I get a further appreciation of what a cracking show it is even at it’s weakest points. I’m increasingly glad that it was there when I was growing up, that it provided me with such strong role models and set the bar for all future space and future set viewing at an impressive height.

Blakes 7 inspired, at least partially, both Babylon 5 and Joss Whedon’s Firefly. It told the story of a motley crew of freedom fighters who were taking a stand against the repressive Federation led by the magnificent uber-bitch Servalan.

Servalan in heels

 

The original crew was lead by charismatic leader Roj Blake who ran around the galaxy righting wrongs dressed like a PVC -clad floppy sleeved Robin Hood (courtesy of the sometimes treacherous costume department). Blake had been a resistance leader on earth but had been stung with false pornography charges and sent to a penal colony (even though he never actually got there). Like Firefly our dynamic captain has a female second. Jenna Stannis was basically a female Han Solo minus the wookiee. She was a crack pilot, fearless fighter and a principled smuggler who had walked into her own brand of trouble when she refused to smuggle drugs for the mob. Kerr Avon is the somewhat self-serving hacker who’d got into trouble for a spot of bank robbing and was to spend the rest of the serious smouldering at Servalan and bristling at any rival alpha males including a computer. Olag Gan was the gentle strong man who had been fitted with a chip to help him with his anger management issues. Vila Restal was a super thief, known throughout the Federation and feared by anybody who had locks even though he seems to spend most of the later episodes playing the bumbling fool and token serf (back then the BBC future was very middle class indeed). After meeting on a prison ship this lot met up with alien empath Cally, who was basically a vigilante until she joined Blake’s crew. The seven were completed by the two ships computers – Zen, a Tetris light board with a rather stentorian attitude and everyone’s favourite neon perspex box of flashing lights, Orac. Orac was a computer with a personality problem who regularly refused to do what he was told, so not unlike some of today’s tech then.

Unfortunately after a very gritty, grimy start with hard hitting story lines and frequent industrial settings, the 80s and Margaret Thatcher arrived and everything got a little bit more neon and a lot more silly. Gareth Thomas famously left the part of Blake because he felt the show had become more Science Fantasy than Science Fiction. He was joined by Sally Knyvette who felt that the character of Jenna had been watered down in the second series. She talks about her concerns in this interview. The character of Dayna Mellanby who replaced her, certainly seemed to be more of a pleasure model, despite the character’s credentials as the best weapons manufacture the Federation had ever known. Tarrant, who attempted to slot into the green doublet left by Blake, was a rather petulant pretty boy who kept his silver spoon in his well pressed pocket. A rather unconvincing freedom fighter, since Avon had been providing the pouting arrogance since the start. The last female member of the crew Soolin, actually was a pleasure model with her fighting credentials tacked on as a bit of an after thought.

It’s perhaps odd that a show with such obvious flaws inspires such affection or perhaps it isn’t.  Each evening, when I start tweeting the next episode I’m amazed at the response I get. I’m always relieved people get in 140s characters that while I’m sending it up I do so with absolute affection – but I doubt I’d get the same response if I was so rude about Star Wars or Star Trek and I know I don’t when I poke fun at Hammer Films or The Prisoner. Cult movies and TV do get some rather intense fans but with Blakes 7 I’ve yet to encounter any. Don’t get me wrong, it’s a show that people love and love passionately. I loved it so much that when it came to an abrupt end in 1981 I was devastated. I started reading the Radio Times and watching Points of View just to scan for news of a reprieve. It was the first time I’d experienced the cancellation of a favourite show and I took it personally. Over the years, before either show was revived and we were all working purely on childhood memories, I’ve had rows with Doctor Who fans over which was better (I always liked both but you couldn’t say that in these rows). Blakes 7 was the one that people tended to forget back then, or to remember it dismissively as an also ran. Perhaps that’s why the affection for the show you encounter online is so warm. Despite the reliance on depressed industrial landscapes, despite the outrageous costumes, despite the sometimes dodgy portrayal of women and the utter campness of the whole thing, once you love it, you’ll love it for ever more.

When I was a kid I never noticed the fact that the women were styled to appeal to all the boys not to me. I loved the fact that Dayna was a crack shot with the large guns she’d built from scratch, not to mention the fact she could still aim straight while balancing in those strappy silver sandals with the three inch heels. Cally was my hero. I loved that she could calm situations without even raising her gun. Jenna I only discovered once I got the dvds so I can’t say she was a childhood rolemodel but to be honest the deepest impression was left by the series bad guy. Even though you weren’t supposed to like Servalan it was hard not to. The woman is a monster who destroys planets before sitting down to breakfast. She is so far over the top she’s coming down the other side and generally performs her tyranny in full evening dress with perfectly manicured nails and drag queen makeup. Jacqueline Pearce, who’d made various appearances in Hammer Films in the 60s as a wide eyed ingénue, gives the role her all and somehow, despite all the set chewing, flamboyant extravagance, is brilliant.

Servalan

With Servalan you knew she wasn’t wearing an outfit like this  because she was a sexual object, she was wearing it because she wanted to and probably because it unsettled whoever was in the meeting with her. She is the embodiment of an assumption that I always remember seeing in British sci fi growing up that the future would be equal. There would be no barrier to getting the top job as a woman because that argument had already been had. I knew I couldn’t drive the TARDIS because I wasn’t a Timelord but there were no barriers in the Federation. These were women who frequently did the rescuing, who could be in charge, who could do what they wanted. It’s something I’ll go into in more detail in a later post but I remember growing up with no shortage of role models like these. I’m not sure you could say that these days things have got worse but I can’t help feeling that for every Katniss Everdeen or Zoe Washburne there’s a Bella Swan dragging the whole side down. Perhaps it’s because family shows back then couldn’t have cohabiting protagonists back then so strong female characters tended to be shown as single (although that opens up a whole other kettle of worms if you’re going to look at them from a feminist perspective). Like I said – we’ll leave that for another day. Back in my college days I wrote countless essays on feminist views of popular culture. Don’t get me started on the male gaze! But that’s not for today.

Today I just want to sing the praises of the women of Blakes 7 who helped to make the show one of the campest BBC shows outside Come Dancing. I’ll be back on the Twitter when we put on the next episode tweeting at the hashtag #blakes7. If you want to watch along and have the DVDs we’re on Series 3 episode 10. I’m there most evenings between 10 and 11 GMT.

© 2024 Abigail Rieley

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