I’ve a definite soft spot for journalism movies. Give me a story about a heroic hack (or a not so heroic one for that matter) and I’ll make the popcorn. The same goes for books and TV and has done since I studied journalism in college. So when it was announced that Aaron Sorkin was writing a new series set in a TV newsroom I got rather excited. I’d devoured the West Wings liberal bed time stories and even loved the short lived Studio 60. The Newsroom was bound to be good.
I should probably point out here that I don’t require my journalism movies to be madly realistic. The more gung ho and idealistic the better – I’m looking for entertainment not realism – but it does need to be recognisable. So I progressed from Lois & Clark to Drop the Dead Donkey via the short-lived Harry, starring Michael Elphick as a washed up Fleet Street hack running a news agency up north. There was political intrigue in House of Cards, not to mention Paul Abbott’s genius State of Play and more recently The Hour and that’s just the TV.
In films there’s Mel Gibson before we learned about his unfortunate religious views in The Year of Living Dangerously, All the President’s Men, Good Night and Good Luck, The Day the Earth Caught Fire, Up Close and Personal, His Girl Friday and To Die For to name but a few. And of course Paddy Chayefsky’s utterly brilliant Network. I never cared whether I was watching male or female hacks the hook that always caught me was the drive, the hunger for the story, the determination to get the truth out there. This was something I was sure Aaron Sorkin would provide in bucket loads and so settled down to add The Newsroom to the list.
But there’s a problem.
Several episodes in and I’m still waiting for a female character I can relate to. Actually I’m still waiting for a female character I didn’t want to slap. It’s never really been an issue before. There was never anything in the films and series that I’ve mentioned above that told me as a woman I wasn’t capable of standing shoulder to shoulder with any of the male journalists and chasing that story just the same. In the same way that I wouldn’t assume I was any less capable than any of my male colleagues. There might be differences between the sexes but they don’t tend to extend to news sense and ambition.
So why do I feel when I’m watching the Newsroom that the person talking to me thinks women should be making the tea and writing the women’s pages? It could have something to do with this interview with Sorkin that came out just before The Newsroom launched. But it’s a lot more to do with the character that every female character seems to be a neurotic incompetent who brings her personal life into work and gets distracted by sparkles unless there’s a nice strong dependable bloke to keep her focused.
I’ve been a journalist for more than a decade. I’ve had a lot of female colleagues. I can’t think of one of them that wouldn’t have taken any of the Newsroom drips to one side to tell her to cop the fuck on. It’s a shame because in pretty much every other respect The Newsroom ticks the boxes. It’s nowhere near as sharp as Network, even though I gather Aaron Sorkin is also a fan, but its right-on outrage at the state of journalism is more heartening bedtime story stuff. It’s what he does.
But that’s what makes the Sorkin women so hard to take. Where are the strong female role models, a Martha Gelhorn for every Ed Murrow? Surely in this perfect journalistic world the exceptional women should be standing up with the exceptional men? I would have thought it was a given.
I’ll probably keep watching The Newsroom, for the rest of the first series at least, but it’s not going to be going on my journalist list. I wouldn’t recommend it to any girls or women wanting to follow a career in journalism. They should be told the sky’s the limit, not to wait until a man comes to sort it out. It’s hard enough out there. We don’t need this crap.