Rural cooking pot repaired with Kintsugi technique, Georgia, 19th century. As good a metaphor as any. Image by Gugger on WikiCommons https://upload.wikimedia.org/wikipedia/commons/a/a0/Kintsugi.jpg

March has been a mad month for me. It has been for us all. Today though I’m not talking about the universal truths of lockdown; I’m not chronicling this extraordinary pause to life as we know it; today I’m talking personally. Over the last few weeks, I’ve been falling back on lists and well-remembered things. I’ve been trying to put things in perspective, as much as you ever can when global uncertainty and fear hits. But today I needed to mark it’s passing. Before I moved to Ireland I had never heard of a month’s mind, a Catholic ritual to gather the mourners one month after a bereavement. Technically, a month ago I was bereaved. Alongside the eternities that have filled this month, the collective baking and new-found virtual lives, I have trying to settle that loss in my head. To “lay the fetch”. To still the ghosts.

I am the woman I am because of many experiences, many people, but there is one who shaped me in ways I wasn’t meant to be shaped, who left me fundamentally changed. I’ve written about this on here before but I’ve always been circumscribed by the risk of defamation. I’ve never had a doubt I could argue the truth if I had to but I just didn’t want to know he was capable of that level of vindictiveness. I already knew he was, I just never needed the extra proof. All that is no longer a consideration. The dead can’t sue. A fraudulent reputation died with him 31 days ago in a hospice in the west of Ireland. I will never mourn the man, but I mourn the chaos he caused, the relationships he broke, the time he stole, the home and security he stole.

He is the reason I have been oscillating wildly between preternatural calmness and fight or flight reflexes straight out of a zombie apocalypse for most of the last month. Lockdown has added a surreal edge to it all as it feels like everyone has gatecrashed my own private hell. That sounds more dramatic than it actually is though. I’m so used to my reality that it’s normal, even sometimes welcomed. Most of the time it’s not a thing, I move through the world just like everyone else. Then the fucker dies and it all bubbles up and everyone around me is in meltdown too. I’ve been jumping to the end of the world for many years now, it’s a very Covid-19 thing to realise that my private beauty spot is suddenly full of camper vans.

I can list the ways I am changed because of him. As a child, before he was on the scene, I was a quiet, bookish child but born of actor parents so always ready to perform – but I didn’t have this anger burning in my heart. It’s a cold fire but fierce and it never goes out. We’ve come to an accommodation over the years though, my anger and I – I don’t trouble it and it doesn’t trouble me. Sometimes though I let it peep out and it keeps me as warm as it’s cold flames can. I came from a close if messy, family who were always there to help. Now I keep things to myself or I overshare (exhibit one you are currently reading). It’s true what they say, and I don’t, in this case, know who they are (but will use an unattributable quote anyway) that those who have been abused can spot one another. It’s as if we transmit on a slightly different wavelength. To people without this experience, this fracture and refracture, we can crackle with uncomfortable loudness. But to those emitting the same frequency, there’s an ease, a recognition, a mountain of stuff that never has to be explained. On the day of his funeral, I ended up watching series two of the ITV series Unforgotten on Netflix. The plot centres on the damage abuse does. It’s one of the best portrayals of it I’ve seen. An oddly serendipitous Netflix suggestion. So I watched and recognised the ways that I had been changed knowing that he was being eulogised in another country, that he had never changed, always been hail fellow well met.

A lot goes on behind the doors of seemingly happy families, as this lockdown is, unfortunately, going to demonstrate for some oblivious communities. I know a lot of people will be dealing with a pandemic on top of whatever other stuff they are dealing with so all I do is share something that was bursting to come out anyway. Because this stuff never fully goes away. It’s just there. Always. A pandemic really stirs things up and for me, it was just the tin lid on a terrible month. If you are reading this and feeling a jolt of recognition I found this post useful for naming what I was feeling.

Despite what I’ve written here I did not mourn the man. I didn’t even think much of him. I disentangled myself from him many years ago. I know the truth of it. I saw the rages, received the threats, seen the mask slip more times than I could count. I have a letter that he wrote my mother many years ago, the draft of a love letter with an asterisked reminder to show genuine remorse that my father, his rival, had died. I keep it because to me it is truth, a documentary truth I trust. If I was writing a fully referenced account of him, his life, his truth, I would piece together the evidence and I would point out the gaps in knowledge, the gaps in the evidence. I do not have evidence of what he did to me but then I don’t need it. I lived it and survived it. The fact that I do not have photographs or a detailed diary of his or mine or the GPS coordinates of the point around the Northern Ireland border where he tried to throw me out of a moving car, none of this matters any more. There is only one truth left and it is mine. So today I am writing in memory of what happened, the damage caused, the cracks that still intrude into my daily life at times like these.

I haven’t named him yet. I haven’t forgotten to. I have always believed that it is the voice of the victim we should listen to instead of glorifying the killer or the abuser. I always tried to tell their stories when I was writing in the courts and I will give myself the same respect – but it is important to name him all the same, even to speak ill of the dead, the truth is important. Des Braiden was his name. He was an actor. You may know him from such luminary parts as the B&B owner in that Kerrygold butter ad, the judge in both the Ireland and Northern Ireland road safety ads. He was a monk who died in the first episode of Vikings (I never have been able to watch that show). He was a bit part actor but a tremendous spoofer. He was a legend in his own lunchtime. I will not link to his IMDB listing, I will not post his picture. But I write this post because the truth should out, he doesn’t deserve the reputation of a decent man, even in death. He was a bully and an abuser, as simple as that – and it wasn’t just me.

This has coloured my March and it was something that got louder in the silence of the lockdown so I’m sharing it. While it’s as personal a post as you could get, I hope it’s also a reminder that some of us carried a lot of extra baggage into this lockdown and things seem louder in the quiet of solitude and stress. I’ve named my demon but there are many who won’t be able to or don’t want to. That is totally fine. But be gentle with each other and be mindful of the cracks that everything has, repaired over and over again. Let’s hope April is slightly less eventful.